In this essay I will be looking at how “Rubber hose” animation also known as
Inkblot cartoon style was made by the constraints of its time and how rubber
hose animation visual coding had its renaissance in the 90’s with the
availability of cheaper animation processes
First we must know the visual language of Rubber hose animation:
The beginnings of rubber hose animation started around 1920s as animation in the American market was fairly new, animation teams where fairly small and artists needed cost effective ways to create animation.[1] Rubber hose animation is characterized by simplified character designs with the current constraints of a monochrome colour pallet, usually characters would be anthropomorphic animals where muzzles would be white and we were given the outline of the eyes and the mass majority of the rest of the body would be white bar clothing like gloves, skirts and pants, and shoes so that we can easily identify what body part is what. Rubber hose animation greatly employs ideas of squash and stretch animation [2] where bodies are boneless, extenuating their movements and thus creating the idea they are made out of rubber. With these constraints objects being warped and stretched became a basis for visual humour. [3]
First we must know the visual language of Rubber hose animation:
The beginnings of rubber hose animation started around 1920s as animation in the American market was fairly new, animation teams where fairly small and artists needed cost effective ways to create animation.[1] Rubber hose animation is characterized by simplified character designs with the current constraints of a monochrome colour pallet, usually characters would be anthropomorphic animals where muzzles would be white and we were given the outline of the eyes and the mass majority of the rest of the body would be white bar clothing like gloves, skirts and pants, and shoes so that we can easily identify what body part is what. Rubber hose animation greatly employs ideas of squash and stretch animation [2] where bodies are boneless, extenuating their movements and thus creating the idea they are made out of rubber. With these constraints objects being warped and stretched became a basis for visual humour. [3]
An early
Felix the cat as Mr.Tom in Feline follies [4] [top] Oswald the lucky rabbit in
Trolley troubles [bottom] [5]
This kind of
Visual language continued on into the 40’s most famously used by the Warner
Bros with the Merrie Melodies and Looney Tunes as rubber hose animation slid
out of style became more of a stylistic choice to communicate character
personality and continued on as a basis for visual gags often extenuating the
slapstick style of warner brother’s animation.[6] Although the animations where
now produced in colour there was still elements of older character design
choices like gloves. [7]
I haven’t
got a hat [8] [top] A wild hare [9] [bottom]
While Major
Cartoon studios continued to repackage cartoons for television throughout the
70’s and 80’s Warner brothers started to take cues from their previous
animations with the creation of Tiny Toon adventures and Animaniacs.
The cast of Tiny
toon adventures [10] [top] the main characters of Animaniacs [11] [bottom]
While Tiny
Toon Adventures drew more upon the colour animations of the late-30’s and 40’s
there is a direct influence of older 20’s rubber hose animation within the main
characters of Animaniacs down to character design elements of having a black
and white body base but having a white muzzle, gloves and white feet. [12]
More modern day examples of this animation culture would be Adventure time:
More modern day examples of this animation culture would be Adventure time:
Jake the dog
on the right. [13]
Although the majority of the main character
design has the basic elements of rubber hose anatomy [14] the character of Jake
the dog exemplifies this due to his Power to Transform his body at will taking
many aspects of the visual comedy that where introduced in rubber hose
animation often taken to extremes. [15]
Referances:
[1]Wikipedia
Referances:
[1]Wikipedia
[2] Tv
tropes: The twelve principles of
animation
[3] Tv
tropes: Inkblot cartoon style
[4] Messmer,
O
[5] Disney,
W
[6] Tv
tropes: Inkblot cartoon style
[7] Tv
tropes: White gloves.
[8] Freleng,
I
[9] Avery, F
[10] Wander
Bros. Television
[11] Fox
Broadcasting Company
[12] Tv
tropes: Inkblot cartoon style
[13] Cartoon
network Studios
[14] Tv
tropes: Rubber hose limbs
[15] Tv
tropes: The twelve principles of
animation
Bibliography:
A wild Hare. 1940. [Animated Short] Avery, F.
dir. USA: Warner Bros. Pictures
Adventure
time. 2010. Cartoon network Studios. [no date]
Animaniacs. 1993. Wander Bros. Television. [no date]
Feline Follies. 1919.[Animated short]. Messmer, O.
Dir. USA: Sullivan,p.
I
haven’t got a hat. 1935.[Animated Short] Freleng, I. Dir. USA: Warner Bros.
Pictures
tiny toon adventures. 1990. Fox Broadcasting Company. [no
date]
Trolley Troubles. 1927. [Animated short] Disney, W.
Dir. USA: Universal Pictures
TV tropes.
2015. White gloves.[Online].
[Accessed 21 march] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/WhiteGloves
TV tropes.
2015.Inkblot cartoon style.[Online].
[Accessed 21 march] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/InkblotCartoonStyle
TV tropes.
2015. Rubber hose limbs.[Online].
[Accessed 21 march] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/RubberHoseLimbs
TV tropes. 2015. The twelve principles of animation.[Online]. [Accessed 21 march] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/TheTwelvePrinciplesOfAnimation
TV tropes. 2015. The twelve principles of animation.[Online]. [Accessed 21 march] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/TheTwelvePrinciplesOfAnimation
Wikipedia.
[no date]. Rubber hose animation.[Online].
[Accessed 21 march 2015]. Available from:
http://en.wikipedia.org/wiki/Rubber_hose_animation
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